Fabric of an exhibition: an interdisciplinary approach : preprints of a conference, Ottawa, Canada, September 22 to 25, 1997 = L'étoffe d'une exposition: une approche pluridisciplinaire : les prétirages de la conférence, Ottawa, Canada, du 22 au 25 septembre 1997 /
| Autores Corporativos: | , , |
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| Formato: | Acta de Conferencia Libro |
| Idioma: | Inglés Francés |
| Publicado: |
Ottawa, Canada :
Canadian Conservation Institute,
1997.
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| Materias: |
Tabla de Contenidos:
- Pte. 1.Exhibition perspectives. Cap. 1. Can high productivity be productive? ; Cap. 2. Textile conservation, exhibit and storage design for the Commonwealth's flag reinstallation project ; Cap. 3. Textile exhibition practices in the Philippines ; Cap. 4. A once-in-a-lifetime opportunity: planning and building new permanent exhibitions at the Armémuseum, Stockholm ; Cap. 5. Behind the seams of an exhibition
- Pte. 2.Exhibiting the historic house. Cap. 1. Invisible boundaries: searching for common ground between curators, conservators, and interpreters ; Cap. 2. Exhibition and preservation of artifacts with textile components at Point Ellice House Historic site ; Cap. 3. Exhibiting textiles in historic house furnished rooms: balancing conservation and interpretation
- Pte. 3.Considerations for the long-term. Cap. 1. Balancing long-term display with preservation: the treatment of the Fort Sumter Garrison flag ; Cap. 2. Working with long-term exhibits containing textiles ; Cap. 3. Mechanical aspects of lining "loose hung" textiles ; Cap. 4. Treatment decisions for the exhibition of a 1697 English state bed ; Cap. 5. Comprehensive approach to textile problems
- Pte. 4.The exhibition environment. Cap. 1. Conservation guidelines for museum exhibition cases ; Cap. 2. Concerns about plastics during exhibition and transport of textile objects ; Cap. 3. The lighting decision ; Cap. 4. Lighting for preservation: fibre optics in museum exhibits
- Pte. 5.Travelling a collection. Cap. 1. Exhibiting historical costumes form a living tradition: Cantonese opera in Canada ; Cap. 2. Conservation, display and transport of "Becoming American women": clothing and the jewish immigrant experience, 1880-1920 ; Cap. 3. Travelling with panache: an unconventional packing method for a travelling costume exhibit
- Pte. 6.Support and presentation. Cap. 1. Dressed for the occasion: creative and practical ideas for mounting costume exhibitions ; Cap. 2. Flying the flag down under: a discussion of the significance of flags, the etiquette of using them, and a variety of display techniques ; Cap. 3. Making the most of mounts: expanding the role of display mounts in the preservation and interpretation of historic textiles
- Pte. 7.Expanding roles. Cap. 1. "The real west": a collaborative exhibit at three venues ; Cap. 2. A division of skills: a case history of mounting an exhibition on a limited budget ; Cap. 3. "Let me edu-tain you", historic artifacts and the world of themed entertainment
- Pte. 8.Demonstrations. Cap. 1. Demonstration of colour measurement techniques for historic textiles ; Cap. 2. Intersecting silhouette mannequins ; Cap. 3. Fabricating ethafoam disc mannequins ; Cap. 4. Functional forms: sturdy, archival mannequins ; Cap. 5. Fibre optic lighting systems ; Cap. 6. Case lighting for textiles ; Cap. 7. A multimedia explration of mounts for textiles ; Cap. 8. Japonism in fashion
- Pte. 9.Posters. Cap. 1. Pressure mounting textiles for display ; Cap. 2. Mounting a teepee liner for exhibit ; Cap. 3. A possible solution to the rug pad dilemma ; Cap. 4. A sleeper of a support system: using a "rope bed" to create a slanted mount for temporary exhibit of a large flag ; Cap. 5. Mannequins for Navajo textile display ; Cap. 6. "Wedding belles" ; Cap. 7. King's privy chamber throne canopy ca. 1700, Hampton Court Palace ; Cap. 8. The influence of disaster recovery on reinstallation of historic wall coverings ; Cap. 9. Conservation of costume for "in royal fashion": time management for a large project with a small staff ; Cap. 10. Exemples de consolidation et de présentation des textiles fragiles à l'intention des musées.