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|d 2018-04-10
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|p A01780
|r 2021-09-16 00:00:00
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|a 751.4
|b H67346 1995
|2 20
|
| 111 |
2 |
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|a Historical painting techniques, materials, and studio practice
|d (1995 :
|c Leiden, the Netherlands)
|9 61808
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| 245 |
1 |
0 |
|a Historical painting techniques, materials, and studio practice :
|b preprints of a symposium University of Leiden, the Netherlands, 26-29 June 1995 /
|c edited by Arie Wallert, Erma Hermens and Marja Peek.
|
| 260 |
|
|
|a [Marina del Rey, California] :
|b Getty Conservation Institute,
|c c1995.
|
| 300 |
|
|
|a ix, [23] láms, 204 p. :
|b fot., gráficas, il. ;
|c 29 cm.
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| 504 |
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|a Incluye referencias bibliográficas.
|
| 505 |
2 |
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|a Cap. 1. Beyond a collection of data: what we can learn from documentary sources on artists' materials and techniques ; Cap. 2. An integrated approach for the study of painting techniques ; Cap. 3. Varnish, grounds, viewing distance, and lighting: some notes on seventeenth-century Italian painting technique ; Cap. 4. From books of secrets to encyclopedias: painting techniques in France between 1600 and 1800 ; Cap. 5. The Roberson Archive: content and significance ; Cap. 6. A fifteenth-century technical treatise on manuscript illumination ; Cap. 7. A seventeenth-century Italian treatise in miniature painting and its author(s) ; Cap. 8. Questions about medieval Gesso grounds ; Cap. 9. Aspects of painting technique in the use of verdigris and copper resinate ; Cap. 10. Connections and coincidences: three pigments ; Cap. 11. An investigation of palette and color notations used to create a set of Tibetan Thangkas ; Cap. 12. New evidence for the medieval production of icons in the Nile Valley ; Cap. 13. Techniques of the Romanesque and Gothic wall paintings in the Holy Sepulchre Chapel, Winchester Cathedral ; Cap. 14. The polychromy of Exeter and Salisbury cathedrals: a preliminary comparison ; Cap. 15. Andrea Mantegna's adoration of the magi ; Cap. 16. Technical examinations of Titian's Venus and Adonis: a note on early Italian oil painting technique ; Cap. 17. Gerard David's St. Anne altarpieces: evidence for workshop participation ; Cap. 18. Maarten van Heemskerck and Jan van Scorel's Haarlem workshop ; Cap. 19. Style and technique in Dutch landscape painting in the 1620s ; Cap. 20. Johannes Vermeer (1632-1675) and his use of perspective ; Cap. 21. A technical study of the materials and methods used by the painters of the Latvian churches in the seventeenth-century ; Cap. 22. William Holman Hunt and the "pre-Raphaelite technique" ; Cap. 23. Paul Delaroche: a case study of academic painting ; Cap. 24. Painting techniques and materials of Turner and other British artists 1775-1875 ; Cap. 25. Art for art's sake: the materials and techniques of James McNeill Whistler (1834-1903) ; Cap. 26. Painting on a photographic substrate: notes regarding materials and techniques over the past 100 years ; Cap. 27. Reflections on the relation between technique and style: the use of the palette by the seventeenth-century painter.
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| 650 |
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7 |
|a Pintura.
|2 unesco
|9 2215
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| 650 |
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7 |
|a Pintor.
|2 unesco
|9 10103
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| 650 |
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7 |
|a Mural.
|2 unesco
|9 6213
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| 650 |
|
7 |
|a Tecnología de materiales.
|2 unesco
|9 5264
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| 700 |
1 |
|
|a Wallert, Arie,
|d 1950-
|9 61809
|e ed.
|
| 700 |
1 |
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|a Hermens, Erma,
|d 1958-
|e ed.
|9 80175
|
| 700 |
1 |
|
|a Peek, Marja,
|d 1961-
|e ed.
|9 61817
|
| 710 |
2 |
|
|a Getty Conservation Institute.
|9 41672
|
| 942 |
|
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|2 ddc
|c LIBRO
|
