|
|
|
|
| LEADER |
04935nam a2200349 a 4500 |
| 003 |
AR-SmUSM |
| 005 |
20211115105935.0 |
| 008 |
190404s2004 -usaho b 001 0deng d |
| 952 |
|
|
|0 0
|1 0
|2 ddc
|4 0
|6 709_820904600000000_L7736_2004
|7 0
|8 GRAL
|9 87168
|a IIPC
|b IIPC
|d 2019-04-04
|e Donación
|l 0
|o 709.8209046 L7736 2004
|p A02070
|r 2019-04-04 00:00:00
|w 2019-04-04
|y LIBRO
|
| 999 |
|
|
|c 59492
|d 59492
|
| 020 |
|
|
|a 0870703668
|
| 040 |
|
|
|a IIPC
|b spa
|c IIPC
|
| 043 |
|
|
|a s-ag
|
| 082 |
0 |
|
|a 709.8209046
|b L7736 2004
|2 20
|
| 245 |
0 |
0 |
|a Listen here now! :
|b Argentine art of the 1960s : writings of the avant-garde /
|c edited by Inés Katzenstein.
|
| 260 |
|
|
|a New York :
|b Museum of Modern Art,
|c c2004.
|
| 300 |
|
|
|a 375 p. :
|b facs., fot., il. ;
|c 25 cm.
|
| 504 |
|
|
|a Incluye referencias bibliográficas (p. 361-368) e índice.
|
| 505 |
2 |
|
|a Pte. 1.The first rupture of the decade. Cap. 1. Destructive art ; Cap. 2. Foundation for an aesthetic of destruction ; Cap. 3. Rubén Santantonín. Why I call these objects "things" ; Cap. 4. Alberto Greco. Vivo-Dito manifesto ; Cap. 5. Grand Vivo-Dito manifesto manifesto scroll ; Cap. 6. Alberto Greco, five years after his death ; Cap. 7. Julio Le Parc. No more mystifications! ; Cap. 8. Marta Minujín. Destruction of my works in the impasse Ronsin, Paris ; Cap. 9. Luis Felipe Noé. Untitled text ; Cap. 10. Anti-aesthetics ; Cap. 11. Futura -- Pte. 2.Jorge Romero Brest: rewriting modernism. Cap. 1. Jorge Romero Brest. What is informal painting? ; Cap. 2. Informal art and the art of today ; Cap. 3. Introduction to "New art from Argentina" ; Cap. 4. La Menesunda ; Cap. 5. "Awareness of image" and "Awareness of imagination" in the process of Argentine art ; Cap. 6. Visual experience 1967 ; Cap. 7. Report and reflection on pop art ; Cap. 8. "Experiences 68" ; Cap. 9. Letter from Buenos Aires ; Cap. 10. Art for consumption ; Cap. 11. The revolutionary Mandarin ; Cap. 12. Analysis of the situation of the Centro de Artes Visuales (ITDT) -- Pte. 3.Oscar Masotta and the art of media. Cap. 1. After pop, we dematerialize: Oscar Massota, happenings, and media art at the beginnings of conceptualism ; Cap. 2. Prologue to "Pop art" ; Cap. 3. The Argentine image-makers ; Cap. 4. Prologue to "Happenings" ; Cap. 5. Three Argentines in New York ; Cap. 6. I committed a happening ; Cap. 7. On happenings, happening: reflections and accounts ; Cap. 8. Disclaimer to "Conciencia y estructura" ; Cap. 9. After pop, we dematerialize ; Cap. 10. Letter to Oscar Masotta ; Cap. 11. Letter to Luis Felipe Noé ; Cap. 12. An art of communications media (manifesto) ; Cap. 13. Creation of the first work ; Cap. 14. Against the happening ; Cap. 15. Letter to Eduardo Costa ; Cap. 16. Simultaneity in simultaneity ; Cap. 17. Round table: this is a judgment ; Cap. 18. Realized project: communications ; Cap. 19. My approach to work in 1968 ; Cap. 20. Self-awareness ; Cap. 21. David Lamelas: art as activity ; Cap. 22. Closed information circuits ; Cap. 23. Automatic circuit (work No. 1 for telephone circuit) ; Cap. 24. First hearing of works created with oral language ; Cap. 25. Enter into discontinuity: reflections and texts -- Pte. 4.Art under the paradigm of politics. Cap. 1. Culture, intellectuals, and politics in the 1960s ; Cap. 2. León Ferrari. Written painting ; Cap. 3. Artist's response ; Cap. 4. Prologue to "The words of others" ; Cap. 5. Collage ; Cap. 6. Letter to Leopoldo Maler ; Cap. 7. Experiences 68. Message in the Di Tella ; Cap. 8. Letter of resignation to Jorge Romero Brest ; Cap. 9. Final statement of the participants in "Experiences 68" ; Cap. 10. We msut always resist the lures of complicity ; Cap. 11. Assault text on Romero Brest's lecture ; Cap. 12. Art and politics ; Cap. 13. Experimental art series. Collective statement on the experimental art series ; Cap. 14. Project for the experimental art series ; Cap. 15. An action: project for the experimental art series ; Cap. 16. Norberto Julio Púzzolo: project for the experimental art series ; Cap. 17. First national meeting on avant-garde art and "Tucumán is burning". The work of art as product of the ethical consciousness-aesthetic consciousness relationship ; Cap. 18. The art of meanings ; Cap. 19. Art and social commitment ; Cap. 20. "Tucumán is burning": statement of the exhibition in Rosario. Buenos Aires statement.
|
| 650 |
|
7 |
|a Arte latinoamericano.
|2 unesco
|9 11071
|
| 650 |
|
7 |
|a Arte moderno.
|2 unesco
|9 1045
|
| 650 |
|
7 |
|a Arte de vanguardia.
|2 unesco
|9 7330
|
| 650 |
|
7 |
|a Artes visuales.
|2 unesco
|9 7166
|
| 650 |
|
7 |
|a Historia del arte.
|2 unesco
|9 1864
|
| 650 |
|
7 |
|a Arte pop.
|2 unesco
|9 6402
|
| 650 |
|
7 |
|a Crítica de arte.
|2 unesco
|9 2418
|
| 651 |
|
7 |
|a Argentina.
|2 unesco
|9 1545
|
| 700 |
1 |
|
|a Katzenstein, Inés
|e ed.
|9 62854
|
| 700 |
1 |
|
|a Romero Brest, Jorge,
|d 1905-1989
|9 50647
|
| 700 |
1 |
|
|a Masotta, Oscar,
|d 1930-1979
|9 15361
|
| 710 |
2 |
|
|9 12876
|a Museum of Modern Art (New York, N.Y.)
|
| 942 |
|
|
|2 ddc
|c LIBRO
|
