Tabla de Contenidos:
  • Pte. 1.Methodology. Cap. 1. Writing history without a prior canon ; Cap. 2. Histories and their different narrators ; Cap. 3. Approaching art through ensembles ; Cap. 4. An exercise in affects ; Cap. 5. Waht if the universe started here and elsewhere ; Cap. 6. Age of change
  • Pte. 2.Circumscribing the period. Cap. 1. Connect whom? Connect what? Why connect? The world system after 1945 ; Cap. 2. Recycling the R-waste (R is for revolution) ; Cap. 3. Art as mousetrap: the case of Laibach ; Cap. 4. Should Ilya Kabakov be awakened? ; Cap. 5. Forgotten in the folds of history ; Cap. 6. Is Spain really different?
  • Pte. 3.Case studies: neglected histories and forgotten practices. Artists. Cap. 1. Kwiekulik-Form is a fact of society ; Cap. 2. Július Koller-Dialectics of self-identification ; Cap. 3. Gorgona-Beyond aesthetic reality ; Cap. 4. OHO-An experimental microcosm on the edge of East and West ; Cap. 5. Jef Geys and Marinus Boezem-Taking care of the frame ; Cap. 6. Paul De Vree and Toon Tersas-Hysteria makes history ; Cap. 7. Grup de Treball and Vídeo Nou-Two collective projects in 1970s Spain ; Cap. 8. Retroavantgarde
  • Pte. 4.Case studies: neglected histories and forgotten practices. Moments. Cap. 1. "A huge amusement-park exhibition"-Vision in motion (1959) ; Cap. 2. Overcoming alienation-New Tendencies 1961-1973 ; Cap. 3. The furor of the festival-Los encuentros de Pamplona (1972) ; Cap. 4. The avant-garde, sots-art and the Bulldozer exhibition of 1974 ; Cap. 5. Work and words (1979) in the shadow of I AM (1978) ; Cap. 6. A European institutional effort-Art in Europe after '68 (1980) and Chambres d'Amis (1986)
  • Pte. 5.Arrays of internationalism. Cap. 1. Southern-Eastern contact zones ; Cap. 2. From the international to the Cosmopolitan ; Cap. 3. "Global" art
  • Pte. 6.Close. Cap. 1. Spirits of internationalism, Van Abbemuseum (VAM), Eindhoven-Museum van Hedendaagse Kunst Antwerpen (M HKA), Antwerpen.