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03962nam a2200349 a 4500 |
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AR-SmUSM |
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20190329144755.0 |
| 008 |
190320s2012 sz ao 000 0 eng d |
| 952 |
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|0 0
|1 0
|2 ddc
|4 0
|6 709_045000000000000_I61911_2012
|7 0
|8 GRAL
|9 79236
|a IIPC
|b IIPC
|d 2019-03-20
|e Donación
|l 0
|o 709.045 I61911 2012
|p A02030
|r 2019-03-20 00:00:00
|w 2019-03-20
|y LIBRO
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| 999 |
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|c 54588
|d 54588
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| 020 |
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|a 9783037643112
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| 040 |
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|a IIPC
|b spa
|c IIPC
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| 082 |
0 |
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|a 709.045
|b I61911 2012
|2 20
|
| 245 |
0 |
2 |
|a L'Internationale :
|b post-war avant-gardes between 1957 and 1986 /
|c [edited by Christian Höller].
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| 260 |
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|a Zürich :
|b JRP-Ringier,
|c c2012.
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| 300 |
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|a 363 p. :
|b fot., il. ;
|c 21 cm.
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| 500 |
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|a "L'Internationale is a trans-institutional network of five major European museums and artists' archives (Moderna galerija Ljubljana; Július Koller Society Bratislava/Vienna, MACBA Barcelona, Van Abbemuseum Eindhoven, M HKA Antwerp). Takins as its starting point these five museums and the respective collections, "L'Internationale" presents a wide range of case studies, historiographic and theoretical essays to newly consider a period in art history that, according to the established canon, has been almost exclusively dominated by Western Europe and North America" - contratapa.
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| 504 |
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|a Incluye referencias bibliográficas.
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| 505 |
2 |
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|a Pte. 1.Methodology. Cap. 1. Writing history without a prior canon ; Cap. 2. Histories and their different narrators ; Cap. 3. Approaching art through ensembles ; Cap. 4. An exercise in affects ; Cap. 5. Waht if the universe started here and elsewhere ; Cap. 6. Age of change -- Pte. 2.Circumscribing the period. Cap. 1. Connect whom? Connect what? Why connect? The world system after 1945 ; Cap. 2. Recycling the R-waste (R is for revolution) ; Cap. 3. Art as mousetrap: the case of Laibach ; Cap. 4. Should Ilya Kabakov be awakened? ; Cap. 5. Forgotten in the folds of history ; Cap. 6. Is Spain really different? -- Pte. 3.Case studies: neglected histories and forgotten practices. Artists. Cap. 1. Kwiekulik-Form is a fact of society ; Cap. 2. Július Koller-Dialectics of self-identification ; Cap. 3. Gorgona-Beyond aesthetic reality ; Cap. 4. OHO-An experimental microcosm on the edge of East and West ; Cap. 5. Jef Geys and Marinus Boezem-Taking care of the frame ; Cap. 6. Paul De Vree and Toon Tersas-Hysteria makes history ; Cap. 7. Grup de Treball and Vídeo Nou-Two collective projects in 1970s Spain ; Cap. 8. Retroavantgarde -- Pte. 4.Case studies: neglected histories and forgotten practices. Moments. Cap. 1. "A huge amusement-park exhibition"-Vision in motion (1959) ; Cap. 2. Overcoming alienation-New Tendencies 1961-1973 ; Cap. 3. The furor of the festival-Los encuentros de Pamplona (1972) ; Cap. 4. The avant-garde, sots-art and the Bulldozer exhibition of 1974 ; Cap. 5. Work and words (1979) in the shadow of I AM (1978) ; Cap. 6. A European institutional effort-Art in Europe after '68 (1980) and Chambres d'Amis (1986) -- Pte. 5.Arrays of internationalism. Cap. 1. Southern-Eastern contact zones ; Cap. 2. From the international to the Cosmopolitan ; Cap. 3. "Global" art -- Pte. 6.Close. Cap. 1. Spirits of internationalism, Van Abbemuseum (VAM), Eindhoven-Museum van Hedendaagse Kunst Antwerpen (M HKA), Antwerpen.
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| 650 |
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7 |
|a Historia del arte.
|2 unesco
|9 1864
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| 650 |
|
7 |
|a Museo de arte
|2 unesco
|9 13003
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| 650 |
|
7 |
|a Teoría del arte.
|2 unesco
|9 7503
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| 650 |
|
7 |
|a Arte europeo.
|2 unesco
|9 2606
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| 650 |
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7 |
|a Arte de vanguardia.
|2 unesco
|9 7330
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| 650 |
|
7 |
|a Arte contemporáneo.
|2 unesco
|9 2305
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| 700 |
1 |
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|a Höller, Christian,
|d 1966-
|9 67183
|e ed.
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| 710 |
2 |
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|a Museu d'Art Contemporani (Barcelona, España)
|9 67196
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| 710 |
2 |
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|a Moderna galerija (Ljubljana, Slovenia)
|9 67197
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| 710 |
2 |
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|a Július Koller Society (Bratislava, Eslovaquia)
|9 67186
|
| 710 |
2 |
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|a Stedelijk Van Abbemuseum
|9 67201
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| 710 |
2 |
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|a Museum van Hedendaagse Kunst Antwerpen
|9 67202
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| 942 |
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|2 ddc
|c LIBRO
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