Tabla de Contenidos:
  • Cap. 1. Conservation and collaboration to understand a "tiponi" ; Cap. 2. The use of thin layer chromatography in the identification of historic artificially colored varnishes and glazes ; Cap. 3. Development and implementation of a new method of wax application for outdoor sculpture using an airless sprayer ; Cap. 4. Developing the Australian survey of sculpture, monuments and outdoor cultural material ; Cap. 5. Client, craftsmen and conservator as collaborators in the conservation of Howard Finster's mixed media "Bible House" ; Cap. 6. Where east meet west: the conservation od a modern, large-scale, black lacquer sculpture exhibited in a public space ; Cap. 7. Mounting ethnographic featherwork on mannequins (an exotic exercise in cooperation) ; Cap. 8. Dowels, powder and cracks: collaboration on the deterioration of a 12th-century portal from Bordeaux ; Cap. 9. Stained glass conservation at the Gardner Museum: putting the pieces together.