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03112nam a2200325 a 4500 |
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|a IIPC
|b IIPC
|d 2018-08-16
|e Donación
|l 0
|o 702.8 O128 1996
|p A01944
|r 2018-08-16 00:00:00
|w 2018-08-16
|y LIBRO
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|a Objects Specialty Group postprints 1996 :
|b Proceedings of the Objects Specialty Group session, June 14, 1996, 24th Annual Meeting, Norfolk, Virginia /
|c American Institute for Conservation ; compiled by Virginia Greene and John Griswold.
|
| 260 |
|
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|a [Washington, D. C. :
|b American Institute for Conservation of Historic and Artistic Works. Objects Specialty Group,
|c 1996].
|
| 300 |
|
|
|a [2], 98 p. :
|b fot., il. ;
|c 28 cm.
|
| 500 |
|
|
|a "This, the fourth volume of the "Postprints" published by the Objects Specialty Group, includes most of the papers presented during the OSG session of the 1996 Annual AIC Meeting in Norfolk, Virginia. The papers relate to the theme of "interprofessional collaboration and inspiration". The topic was chosen to highlight ways in which conservators can and do draw from other fields for assistance and inspiration, and to emphasize the benefits of collaboration" - p. 1.
|
| 504 |
|
|
|a Incluye referencias bibliográficas.
|
| 505 |
2 |
|
|a Cap. 1. Conservation and collaboration to understand a "tiponi" ; Cap. 2. The use of thin layer chromatography in the identification of historic artificially colored varnishes and glazes ; Cap. 3. Development and implementation of a new method of wax application for outdoor sculpture using an airless sprayer ; Cap. 4. Developing the Australian survey of sculpture, monuments and outdoor cultural material ; Cap. 5. Client, craftsmen and conservator as collaborators in the conservation of Howard Finster's mixed media "Bible House" ; Cap. 6. Where east meet west: the conservation od a modern, large-scale, black lacquer sculpture exhibited in a public space ; Cap. 7. Mounting ethnographic featherwork on mannequins (an exotic exercise in cooperation) ; Cap. 8. Dowels, powder and cracks: collaboration on the deterioration of a 12th-century portal from Bordeaux ; Cap. 9. Stained glass conservation at the Gardner Museum: putting the pieces together.
|
| 611 |
2 |
4 |
|a American Institute for Conservation of Historic and Artistic Works. Meeting
|n (24th :
|d 1996 :
|c Norfolk, Virginia)
|9 61938
|
| 650 |
|
7 |
|a Conservación de los bienes culturales.
|2 unesco
|9 7410
|
| 650 |
|
7 |
|a Conservación de obras de arte.
|2 unesco
|9 5616
|
| 650 |
|
7 |
|a Técnica de conservación.
|2 unesco
|9 7431
|
| 650 |
|
7 |
|a Escultura.
|2 unesco
|9 6217
|
| 650 |
|
7 |
|a Pintura.
|2 unesco
|9 2215
|
| 650 |
|
7 |
|a Ensayo de materiales.
|2 unesco
|9 4218
|
| 650 |
|
7 |
|a Vidrio de color.
|2 unesco
|9 35589
|
| 700 |
1 |
|
|a Greene, Virginia,
|d 1984-
|e ed.
|9 83184
|
| 700 |
1 |
|
|a Griswold, John
|9 64222
|e ed.
|
| 710 |
2 |
|
|a American Institute for Conservation of Historic and Artistic Works.
|b Objects Specialty Group
|9 64250
|
| 942 |
|
|
|2 ddc
|c LIBRO
|
