[The Fifth International Infrared and Raman Users Group Conference (IRUG5) : conference program and abstracts, March 4-8, 2002 /

Detalles Bibliográficos
Autores Corporativos: Infrared and Raman Users Group Conference Los Angeles, California, Getty Conservation Institute
Formato: Acta de Conferencia Libro
Idioma:Inglés
Publicado: [Los Angeles : Getty Conservation Institute, 2002].
Materias:
Tabla de Contenidos:
  • Pte. 1. Cap. 1. FTIR imaging of embedded paint cross-sections of modern art paintings ; Cap. 2. The application of FTIR and associated spectroscopy techniques for the identification of composition materials and techniques of the Amfissa Cathedral wall paintings ; Cap. 3. Organic and inorganic pigments using Raman microscopy ; Cap. 4. The use of Raman microscopy for the study of corrosion products on metal artifacts ; Cap. 5. Non-destructive analysis by micro-Raman spectroscopy and ion beam techniques: application to the study of two glaze palettes from a French ceramist at the 19th century
  • Pte. 2. Cap. 1. Quantitative FTIR spectroscopy: a powerful tool in the work of art conservation ; Cap. 2. Infrared spectroscopy in the art conservation program at Queen's University: some applications of a diamond ATR accessory ; Cap. 3. In situ vibrational spectroscopy ; Cap. 4. IRUG database presentation
  • Pte. 3. Cap. 1. IR-Spectra of the grounds from paintings by some well-known Russian artists of the 18th and 19th centuries ; Cap. 2. Changes in adhesive resins as a result of laser irradiation: study of laser wavelenght effects ; Cap. 3. Identification of blue pigments in Yoruba wood sculptures ; Cap. 4. Organic materials used in the "paints" on Peruvian Qero cups ; Cap. 5. Infrared spectroscopy applied to the analysis of papers and inks in manuscripts and egravings from cultural heritage
  • Pte. 4. Cap. 1. Examination of fresh and accelerated aged tung oil using FTIR-microscopy and ATR-technique ; Cap. 2. A combination of FTIR and PY-GCMS as tools for the legal authentication of paintings: a case study in Brazil ; Cap. 3. Micro-ATR study of the depth of penetration and distribution profile of water-repellent polymers into porous stone materials ; Cap. 4. FTIR reflectance spectrometry analysis on ancient yellowes papers ; Cap. 5. Infrared spectroscopic studies of photogaphic and modern painting materials
  • Pte. 5. Cap. 1. Characterization and aging of commercial acrylic resins ; Cap. 2. The conservation of acrylic paintings: a review ; Cap. 3. Basic paint research and development ; Cap. 4. Characterization of acrylics at Rohm and Haas
  • Pte. 6. Cap. 1. Spestroscopic identification of acrylic polymers ; Cap. 2. Recent investigations in contemporary artists paints
  • Pte. 7. Cap. 1. Reflectance accessory for spestroscopic analysis of scrolls and paintings ; Cap. 2. A new approach to infrared microspestroscopy instrumentation: an FT-IR for your light microscope ; Cap. 3. Use of the Raman microprobe for art conservation ; Cap. 4. Advancement of infrared and Raman microspectroscopy ; Cap. 5. Infrared imaging: applications in conservation science ; Cap. 6. Rapid scanning infrared imaging and micro-internal reflectance of historical works ; Cap. 7. From classic antiquity to contemporary art: some applications of reflection FTIR microspectroscopy disclosing the composition of multilayered artifacts ; Cap. 8. Polychromy of wooden furnishing in the Scrovegni chapel in Padova (Italy): the use of FTIR spectroscopy ; Cap. 9. Applications of FTIR spectroscopy to the study of ancient Chinese jades ; Cap. 10. Raman spectroscopy of Brazilian museum objects ; Cap. 11. Gelatin content of historic papers using FTIR techniques.