[Abstracts : of papers presented at the twenty sixth Annual Meeting, Arlington, Virginia, June 1-7, 1998,
| Autores corporativos: | , |
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| Formato: | Anais de Congresso Livro |
| Idioma: | Inglés |
| Publicado em: |
Washington, D.C. :
American Institute for Conservation of Historic and Artistic Works,
[1998].
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| Assuntos: |
Sumário:
- Pte. 1.General session. Cap. 1. European works of art in World War II ; Cap. 2. Corporate and professional cooperation in emergency preparedness: past, present, and future ; Cap. 3. Risk preparedness in ICCROM programme activities ; Cap. 4. US military efforts to safeguard cultural property ; Cap. 5. A regional workshop "Integrating cultural heritage into national disaster planning, mitigation, and relief" for national disaster planners and cultural heritage managers from countries of Central and Eastern Europe and the newly independent states ; Cap. 6. Measures for protection of cultural heritage in the event of natural disaster or armed conflict in Poland and the effects of major flooding in 1997 ; Cap. 7. FEMA and the conservation community: working together ; Cap. 8. The very model of a modern working partnership ; Cap. 9. The protection of the cultural heritage during the war ; Cap. 10. Emergency preparedness planning in the Eastern Caribbean ; Cap. 11. Cultural emergencies: the Canadian response ; Cap. 12. Developing statewide disaster preparedness expertise ; Cap. 13. A model disaster preparedness and response program for cultural institution developed by a regional conservation center ; Cap. 14. Contemporary fire detection and suppression alternatives for water-sensitive areas
- Pte. 2.General session. Cap. 1. Rescuing Europe's cultural heritage: the work of American monuments officers in World War II ; Cap. 2. The retrieval of Kuwait National Museum's collections from Iraq: an assessment of the operation, and lessons learned ; Cap. 3. The Zemaljski Musej in Sarajevo: the response to 4 year of war damage and the prospects of peace ; Cap. 4. Hate also affects patrimonial material ; Cap. 5. A museum responds to fire: the experience at the Royal Saskatchewan Museum ; Cap. 6. The Treasury Building fire of 1996: protecting cultural resources in a non-museum environment ; Cap. 7. Disaster preparation and recuperation ; Cap. 8. A race against time: safeguarding our cultural heritage from earthquake response ; Cap. 9. Access denied: asbestos contamination as catalyst and hindrance to collection retrieval and preservation ; Cap. 10. The flood of Florence 1966: a first aid and fact finding mission ; Cap. 11. Flood caused by Portoviejo River ; Cap. 12. Midnight in the garden of soggy and damp: the New Year's eve disaster at the Virginia Historical Society ; Cap. 13. One response to a collection-wide mold outbreak: how bad can it be? How good can it get? ; Cap. 14. Ethics and the god Mars
- Pte. 3.Architecture. Cap. 1. A monitoring plan for a collection of totem poles ; Cap. 2. Disaster migration: a conservation engineer's perspective ; Cap. 3. Conservation and disasters in the Caribbean: hurricanes, earthquakes, termites, lightning strikes and oil spills ; Cap. 4. After the anno horribilis: structural conservation and monumental disasters ; Cap. 5. Dealing with a disaster: the use of ultrasonic cleaners for the removal of scale deposits from a terra cotta and limestone fountain ; Cap. 6. Seismic stabilization of historic adobe structures ; Cap. 7. "Hidden disasters": the conflict between historic buildings and modern expectations for their use ; Cap. 8. Implementation of post-earthquake building inspection ; Cap. 9. Disaster preparedness, response, and recovery: the daily life of an architectural conservator ; Cap. 10. How France rebuilt at the close of the World War I
- Pte. 4.Book and paper. Cap. 1. Beyond imaginery: an analysis of materials and techniques used by Charles E. Burchfield ; Cap. 2. Preparing for the apocalypse: using the sequential solvent technique to remove tape stains ; Cap. 3. Pastels and charcoal drawings in traveling exhibitions: guidelines for their preparation, transport, and installation ; Cap. 4. Communication and persuasion: Soviet wartime posters as visual propaganda ; Cap. 5. Dimitri Moor's 3D faces of tass: the treatment of five posters ; Cap. 6. Bookkeeper spray for use in single item treatments ; Cap. 7. Do furnish a room: the conservation treatment of a Roycroft Workshop bookbinding ; Cap. 8. Canadian co-operative permanent paper research project: the impact of lignin on paper permanence ; Cap. 9. A photo album structure with detachable leaves: rebinding "Photographs Volume III" by Lewis Carroll ; Cap. 10. Making a case: exhibiting the Library of Congress top treasures ; Cap. 11. The use of zeolites in the conservation of paper objects ; Cap. 12. Unprepared for a catastrophe: the salvage and assessment of a convent's archive collection ; Cap. 13. Disaster response of waterlogged documents: a case study in Brazil ; Cap. 14. How to dry a wet book: a survey of recovery techniques ; Cap. 15. Aseptic techniques: a goal to strive for in collection recovery of moldy archival materials ; Cap. 16. Natural freeze drying ; Cap. 17. Packing a freezer truck: the aftermath of Arson ; Cap. 18. The library collections conservation discussion group: connoisseurship and preservation of paperback books
- Pte. 5.Conservators in private practice. Cap. 1. Sink or swim: what you need to know before responding to disaster situations ; Cap. 2. Relating AIC's "code of ethics and standards of practice" to disaster response
- Pte. 6.Objects. Cap. 1. Recovery of unbacked mosaics from a storage depot fire at the Sardis excavations, Turkey ; Cap. 2. Ashes are ashes, dust is dust: soot removal, cleanup, and disaster recovery after the fire at the Royal Saskatchewan Museum ; Cap. 3. Preventive conservation and disaster preparedness ; Cap. 4. A hairy ordeal: post-fire recovery of the lundy collection ; Cap. 5. An atmospheric pressure atomic oxygen source for cleaning smoke damaged art objects ; Cap. 6. After the fire at the Church of La Compañía de Jesús, Quito, Ecuador ; Cap. 7. Recovery and treatment of St. John's Masonic
- Pte. 7.Paintings. Cap. 1. Treatment of a water damaged painting: an old dog tries some new tricks ; Cap. 2. Atomic oxygen treatment as a method of recovering smoke damaged paintings ; Cap. 3. Teaching conservation to the president, avoiding disasters and conserving the presidential palace in Panama ; Cap. 4. Water damaged paintings: treatment and creation of prevention training programs ; Cap. 5. Community involvement and education in the conservation of a WPA fresco in Fullerton, California ; Cap. 6. The great flood in Florence and an update on the earthquake in Assisi ; Cap. 7. A new device for making micro-scale lightfastness determinations on art objects ; Cap. 8. Aspects of the techniques and conservation of a large fifteenth century altarpiece by Neri di Bicci. Pte. 8.Photographic materials. Cap. 1. The conservation treatment of five opaltypes ; Cap. 2. The Eadweard Muybridge collection at the National Museum of American History ; Cap. 3. An examination of duplicating film damaged by water in 1986 ; Cap. 4. Use of macro/microenvironments: an integrated climate management strategy for the preservation of acetate base Photographic film ; Cap. 5. Recent and upcoming changes in ANSI standards concerning photographic materials ; Cap. 6. Photographic enclosures and air pollution ; Cap. 7. Experiences in the recovery of water-damaged photographs
- Pte. 9.Textiles. Cap. 1. Re-evaluating the craft traditions of textile conservation ; Cap. 2. Some problems involved in the repeat conservation of textiles ; Cap. 3. When patching is impractical: non-traditional compensation for loss in a quilt ; Cap. 4. Insect infestation: a large tapestry's fumigation and stabilization for storage ; Cap. 5. Up on the roof: light-bleaching of large textiles, two case studies ; Cap. 6. Sodium borohydride: an alternative to oxidative bleaching of cellulosic textiles ; Cap. 7. Disaster recovery: teaching textile salvage techniques to the first response team ; Cap. 8. Disaster recovery at the University of Alberta, or every flood has a silver lining ; Cap. 9. The effect of freeze-drying on selected properties of wool fabric ; Cap. 10. Observations on soot removal from textiles ; Cap. 11. National park service fibrary: a unique resource ; Cap. 12. A disaster? injuring ourselves through the work we love
- Pte. 10.Wooden objects. Cap. 1. Out of the woods and into the lab: the rustic tradition meets conservation ; Cap. 2. Conservation of the Koutoubia Minbar ; Cap. 3. After the deluge: the conservation of two Chinese chests ; Cap. 4. Early Frank LLoyd Wright furniture: a case study of objects from the Darwin Martin house ; Cap. 5. New conservation labs at colonial Williamsburg ; Cap. 6. Further uses for acryloid B-72: infilling systems for gilded, painted, and lacquered wood
- Pte. 11.Electronic media. Cap. 1. Art, conservation, and the world wide web ; Cap. 2. The universal preservation format for digital archives: 1st year progress ; Cap. 3. Digital imaging of art: some IBM experiences ; Cap. 4. Document handling in preservation scanning ; Cap. 5. Humidification, flattening and mending of iris ink-jet prints ; Cap. 6. Media alliance survey of video collections ; Cap. 7. Documenting magnetic media restoration
- Pte. 12.Poster session.