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|d 2018-04-11
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|l 1
|o 746.074 T3559 1997
|p A01782
|r 2020-03-03 00:00:00
|s 2020-03-03
|w 2018-04-11
|y LIBRO
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|a 746.074
|b T3559 1997
|2 20
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| 111 |
2 |
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|a Symposium 97. Fabric of an Exhibition: an Interdisciplinary Approach
|d (1997 :
|c Ottawa, Canada)
|9 61841
|
| 245 |
1 |
0 |
|a Fabric of an exhibition: an interdisciplinary approach :
|b preprints of a conference, Ottawa, Canada, September 22 to 25, 1997 = L'étoffe d'une exposition: une approche pluridisciplinaire : les prétirages de la conférence, Ottawa, Canada, du 22 au 25 septembre 1997 /
|c organized by the Canadian Conservation Institute and the North American Textile Conservation Conference.
|
| 246 |
3 |
1 |
|a Étoffe d'une exposition: une approche pluridisciplinaire
|
| 260 |
|
|
|a Ottawa, Canada :
|b Canadian Conservation Institute,
|c 1997.
|
| 300 |
|
|
|a ix, 206 p. :
|b fot., gráficas ;
|c 28 cm.
|
| 504 |
|
|
|a Incluye referencias bibliográficas.
|
| 505 |
2 |
|
|a Pte. 1.Exhibition perspectives. Cap. 1. Can high productivity be productive? ; Cap. 2. Textile conservation, exhibit and storage design for the Commonwealth's flag reinstallation project ; Cap. 3. Textile exhibition practices in the Philippines ; Cap. 4. A once-in-a-lifetime opportunity: planning and building new permanent exhibitions at the Armémuseum, Stockholm ; Cap. 5. Behind the seams of an exhibition -- Pte. 2.Exhibiting the historic house. Cap. 1. Invisible boundaries: searching for common ground between curators, conservators, and interpreters ; Cap. 2. Exhibition and preservation of artifacts with textile components at Point Ellice House Historic site ; Cap. 3. Exhibiting textiles in historic house furnished rooms: balancing conservation and interpretation -- Pte. 3.Considerations for the long-term. Cap. 1. Balancing long-term display with preservation: the treatment of the Fort Sumter Garrison flag ; Cap. 2. Working with long-term exhibits containing textiles ; Cap. 3. Mechanical aspects of lining "loose hung" textiles ; Cap. 4. Treatment decisions for the exhibition of a 1697 English state bed ; Cap. 5. Comprehensive approach to textile problems -- Pte. 4.The exhibition environment. Cap. 1. Conservation guidelines for museum exhibition cases ; Cap. 2. Concerns about plastics during exhibition and transport of textile objects ; Cap. 3. The lighting decision ; Cap. 4. Lighting for preservation: fibre optics in museum exhibits -- Pte. 5.Travelling a collection. Cap. 1. Exhibiting historical costumes form a living tradition: Cantonese opera in Canada ; Cap. 2. Conservation, display and transport of "Becoming American women": clothing and the jewish immigrant experience, 1880-1920 ; Cap. 3. Travelling with panache: an unconventional packing method for a travelling costume exhibit -- Pte. 6.Support and presentation. Cap. 1. Dressed for the occasion: creative and practical ideas for mounting costume exhibitions ; Cap. 2. Flying the flag down under: a discussion of the significance of flags, the etiquette of using them, and a variety of display techniques ; Cap. 3. Making the most of mounts: expanding the role of display mounts in the preservation and interpretation of historic textiles -- Pte. 7.Expanding roles. Cap. 1. "The real west": a collaborative exhibit at three venues ; Cap. 2. A division of skills: a case history of mounting an exhibition on a limited budget ; Cap. 3. "Let me edu-tain you", historic artifacts and the world of themed entertainment -- Pte. 8.Demonstrations. Cap. 1. Demonstration of colour measurement techniques for historic textiles ; Cap. 2. Intersecting silhouette mannequins ; Cap. 3. Fabricating ethafoam disc mannequins ; Cap. 4. Functional forms: sturdy, archival mannequins ; Cap. 5. Fibre optic lighting systems ; Cap. 6. Case lighting for textiles ; Cap. 7. A multimedia explration of mounts for textiles ; Cap. 8. Japonism in fashion -- Pte. 9.Posters. Cap. 1. Pressure mounting textiles for display ; Cap. 2. Mounting a teepee liner for exhibit ; Cap. 3. A possible solution to the rug pad dilemma ; Cap. 4. A sleeper of a support system: using a "rope bed" to create a slanted mount for temporary exhibit of a large flag ; Cap. 5. Mannequins for Navajo textile display ; Cap. 6. "Wedding belles" ; Cap. 7. King's privy chamber throne canopy ca. 1700, Hampton Court Palace ; Cap. 8. The influence of disaster recovery on reinstallation of historic wall coverings ; Cap. 9. Conservation of costume for "in royal fashion": time management for a large project with a small staff ; Cap. 10. Exemples de consolidation et de présentation des textiles fragiles à l'intention des musées.
|
| 546 |
|
|
|a Textos en inglés y francés.
|
| 650 |
|
7 |
|a Artes textiles.
|2 unesco
|9 2041
|
| 650 |
|
7 |
|a Museografía.
|2 unesco
|9 24642
|
| 650 |
|
7 |
|a Planificación de los museos.
|2 unesco
|9 8458
|
| 650 |
|
7 |
|a Conservación de los bienes culturales.
|2 unesco
|9 7410
|
| 650 |
|
7 |
|a Exposición.
|2 unesco
|9 3244
|
| 710 |
2 |
|
|a Canadian Conservation Institute
|9 66973
|
| 711 |
2 |
|
|a North American Textile Conservation Conference
|d (2000 :
|c Asheville, N.C.)
|9 79482
|
| 942 |
|
|
|2 ddc
|c LIBRO
|
