Conservation of historic and artistic works on paper : proceedings of a conference, Ottawa, Canada, October 3 to 7, 1988 = Conservation des œuvres historiques et artistiques sur papier : les actes de la conférence, Ottawa, Canada, 3 au 7 octobre 1988 /

Detalles Bibliográficos
Autores Corporativos: Symposium 88. Conservation of Historic and Artistic Works on Paper Ottawa, Canada, Canadian Conservation Institute
Otros Autores: Burgess, Helen Diana, 1951- (ed.)
Formato: Acta de Conferencia Libro
Idioma:Inglés
Francés
Publicado: Ottawa, Canada : Canadian Conservation Institute, 1994.
Materias:
Tabla de Contenidos:
  • Pte. 1.The preservation, storage, and display of collections. Cap. 1. The Peabody and Stearns architectural collection: assessing conservation needs ; Cap. 2. A conservation survey for the Canadian Centre for Caricature ; Cap. 3. Les gravures de la collection Dutuit: bilan de six années de conservation ; Cap. 4. Turner at the Tate ; Cap. 5. A conservator's experience with Degas: anatomy of an exhibition
  • Pte. 2.The conservation of archival materials. Cap. 1. Les phases de la désacidification en masse aux Archives nationales du Canada ; Cap. 2. Searching for a Leaf-Caster ; Cap. 3. Pressure-sensitive tapes: their behaviour and removal as illustrated by a case study ; Cap. 4. Restoring a large collection of large-format mine maps: problems, solutions and procedures ; Cap. 5. The colouring of pulp for leaf-casting ; Cap. 6. Five years later: the past, present and future of the records conservation training program of the National Archives of Canada
  • Pte. 3.The study and conservation of bound materials. Cap. 1. The conservation of bound manuscripts ; Cap. 2. La restauration du manuscrit "Log book of H.M.S. Pegasus", datant de 1786 ; Cap. 3. Textblocks and printers' errors: some bibliographical considerations for book conservators ; Cap. 4. Conservation decisions at the Folger Library
  • Pte. 4.The treatment of works of art on paper. Cap. 1. Alternative techniques in paper conservation ; Cap. 2. A case history: "Panoramic view of Sherbrooke..." ; Cap. 3. Some practical methods for the treatment with moisture of moisture-sensitive works on paper ; Cap. 4. The system: Moisture chamber/suction table/ultrasonic humidifier/air filter
  • Pte. 5.The historical study of paper artifacts and their conservation treatment. Cap. 1. Nineteenth-century charcoal drawing: the evidence of the technical literature and the works of art ; Cap. 2. English paper 1795-1815: plain and fancy ; Cap. 3. The treatment of prints: a history ; Cap. 4. Reverse-glass prints: their history, technique, and conservation
  • Pte. 6.Scientific studies associated with conservation treatments. Cap. 1. The cockling and curling of paper in museums ; Cap. 2. A report on the evaluation of selected poly(vinyl acetate) and acrylic adhesives for use in paper conservation ; Cap. 3. Bleaching by light I: effect of pH on the bleaching or darkening of papers in the dry and in the immersed condition under visible and near-ultraviolet radiation ; Cap. 4. Bleaching by light II: studies of the bleaching of thermally discoloured sugars and other "model" compounds ; Cap. 5. The effect of wetting agents on the tensile strenght of paper ; Cap. 6. New techniques for the application of enzymes ; Cap. 7. Studies with sodium borohydride and hydrogen peroxide acting on artists' colours and pigments ; Cap. 8. Degradation of paper by commercial amylase and protease enzymes
  • Pte. 7.The scientific study of paper. Cap. 1. Foxing caused by copper alloy inclusions in paper ; Cap. 2. Analysis and restoration of old transparent paper ; Cap. 3. Fourier transform infrared and Raman spectroscopy of ancient paper ; Cap. 4. Machine-made oriental papers in Western paper conservation ; Cap. 5. The effect of aluminium salts on the degradation of paper ; Cap. 6. Effect of some deacidification agents on copper-catalyzed degradation of paper
  • Pte. 8.Panel discussion: the ethics of disbinding book-related artifacts
  • Pte. 9.Panel discussion: the conflict between conservation treatments and the preservation of artists' materials and intent.