Historical painting techniques, materials, and studio practice : preprints of a symposium University of Leiden, the Netherlands, 26-29 June 1995 /
| Enti autori: | , |
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| Altri autori: | , , |
| Natura: | Atti del Convegno Libro |
| Lingua: | Inglés |
| Pubblicazione: |
[Marina del Rey, California] :
Getty Conservation Institute,
c1995.
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| Soggetti: |
Sommario:
- Cap. 1. Beyond a collection of data: what we can learn from documentary sources on artists' materials and techniques ; Cap. 2. An integrated approach for the study of painting techniques ; Cap. 3. Varnish, grounds, viewing distance, and lighting: some notes on seventeenth-century Italian painting technique ; Cap. 4. From books of secrets to encyclopedias: painting techniques in France between 1600 and 1800 ; Cap. 5. The Roberson Archive: content and significance ; Cap. 6. A fifteenth-century technical treatise on manuscript illumination ; Cap. 7. A seventeenth-century Italian treatise in miniature painting and its author(s) ; Cap. 8. Questions about medieval Gesso grounds ; Cap. 9. Aspects of painting technique in the use of verdigris and copper resinate ; Cap. 10. Connections and coincidences: three pigments ; Cap. 11. An investigation of palette and color notations used to create a set of Tibetan Thangkas ; Cap. 12. New evidence for the medieval production of icons in the Nile Valley ; Cap. 13. Techniques of the Romanesque and Gothic wall paintings in the Holy Sepulchre Chapel, Winchester Cathedral ; Cap. 14. The polychromy of Exeter and Salisbury cathedrals: a preliminary comparison ; Cap. 15. Andrea Mantegna's adoration of the magi ; Cap. 16. Technical examinations of Titian's Venus and Adonis: a note on early Italian oil painting technique ; Cap. 17. Gerard David's St. Anne altarpieces: evidence for workshop participation ; Cap. 18. Maarten van Heemskerck and Jan van Scorel's Haarlem workshop ; Cap. 19. Style and technique in Dutch landscape painting in the 1620s ; Cap. 20. Johannes Vermeer (1632-1675) and his use of perspective ; Cap. 21. A technical study of the materials and methods used by the painters of the Latvian churches in the seventeenth-century ; Cap. 22. William Holman Hunt and the "pre-Raphaelite technique" ; Cap. 23. Paul Delaroche: a case study of academic painting ; Cap. 24. Painting techniques and materials of Turner and other British artists 1775-1875 ; Cap. 25. Art for art's sake: the materials and techniques of James McNeill Whistler (1834-1903) ; Cap. 26. Painting on a photographic substrate: notes regarding materials and techniques over the past 100 years ; Cap. 27. Reflections on the relation between technique and style: the use of the palette by the seventeenth-century painter.