|
|
|
|
| LEADER |
05145nam a2200349 a 4500 |
| 003 |
AR-SmUSM |
| 005 |
20201104063747.0 |
| 008 |
180406s1992 -ukado b 100 0 eng d |
| 952 |
|
|
|0 0
|1 0
|2 ddc
|4 0
|6 702_880946000000000_I255_1992
|7 0
|8 GRAL
|9 73033
|a IIPC
|b IIPC
|d 2018-04-06
|e Donación
|l 0
|o 702.880946 I255 1992
|p A01776
|r 2018-04-06 00:00:00
|w 2018-04-06
|y LIBRO
|
| 999 |
|
|
|c 50499
|d 50499
|
| 040 |
|
|
|a IIPC
|b spa
|c IIPC
|
| 082 |
0 |
|
|a 702.880946
|b I255 1992
|2 20
|
| 111 |
2 |
|
|a IIC International Congress
|n (14th :
|d 1992 :
|c Madrid, Spain)
|9 61726
|
| 245 |
1 |
0 |
|a Conservation of the Iberian and Latin American cultural heritage :
|b preprints of the contributions to the Madrid Congress, 9-12 September 1992 /
|c edited by H. W. M. Hodges, John S. Mills and Perry Smith.
|
| 260 |
|
|
|a London :
|b International Institute for Conservation of Historic and Artistic Works,
|c c1992.
|
| 300 |
|
|
|a [12], 183 p. :
|b fot., gráficas, il. ;
|c 29 cm.
|
| 504 |
|
|
|a Incluye referencias bibiográficas.
|
| 505 |
2 |
|
|a Cap. 1. Albert Eckhout's Brazilian paintings ; Cap. 2. Climatological analysis in relation to the conservation of a sixtennth-century Spanish polychrome wooden ceiling ; Cap. 3. Investigations on a mediaeval Spanish enamelled ciborium ; Cap. 4. Fra Ricardo Pilar's "Christ in Martydrom" in the Monastery of São Bento, Rio de Janeiro ; Cap. 5. The conservation of Spanish gilt leather ; Cap. 6. A contribution to the study of Aleijadinho, the most important sculptor in colonial Brazil ; Cap. 7. The collection of polychromed sculptures of the Museo Fray Pedro Bedón in Quito ; Cap. 8. Conservation and restoration of the sword of Boabdil, King of Granada ; Cap. 9. Technical examination of Pedro de Mena's "Magdalene" ; Cap. 10. General remarks on the painting technique of Velázquez and restoration carried out at the Museo del Prado ; Cap. 11. Technical examination and consolidation of the paint layers on a mudéjar coffered ceiling in the Convent of Santa Fe, Toledo ; Cap. 12 The conservation and restoration of a processional image: "The Christ of the expiration" ; Cap. 13. The polychromed plasterwork of the Corral de Villapando brothers ; Cap. 14. Technique and restoration of three sculptures by Pedro de Mena ; Cap. 15. Masonry mortars in the Castillo de San Felipe del Morro, San Juan, Puerto Rico: a method for categorization ; Cap. 16. The conservation and iconography of Viceregal paintings and sculpture: old problems and new approaches ; Cap. 17. "Chuc Nichim", the washing of the flowers. A look at traditional preservation practices ; Cap. 18. How Spanish is "Spanish leather"? ; Cap. 19. The conservation of wall paintings in Quito, Ecuador: two case studies ; Cap. 20. Mestre Piranga: study and conservation of Brazilian religious sculptures from the eighteenth century ; Cap. 21. Techincal analysis of illuminated manuscripts from the Library at the University of Valencia, Spain ; Cap. 22. A study of the effects of conservation treatment on the Fanshawe Archive ; Cap. 23. The treatment of ancient Portuguese tiles ; Cap. 24. Colored glazes on silver-gilded surfaces ; Cap. 25. Conservation and restoration of five coffered wooden ceilings ; Cap. 26. Analysis and conservation of three Hispano-Moresque textiles dating from the first half of the twelfth century ; Cap. 27. A case study of the conservation of the polychromed wooden choirloft of the seventeenth-century church at Carabuco, Bolivia ; Cap. 28. Original protective renderings in the Cathedral of León ; Cap. 29. Problems of adhesion between support and ground layers in polychrome wooden sculptures in Guatemala ; Cap. 30. The conservation of the mudéjar "templete" at the Royal Monastery of Our Lady of Guadalupe, Extremadura (Cáceres), Spain ; Cap. 31. Textile conservation in Spain ; Cap. 32. Spanish colonial and indigenous platinum: a historical account of technology and fabrication ; Cap. 33. The Matriz of Catas Altas, Minas Gerais, Brazil: techniques, materials and style ; Cap. 34. The conservation and technical examination of some Spanish lustre ceramics ; Cap. 35. Evaluation of disinfection techniques for the conservation of polychrome sculpture in Iberian museums ; Cap. 36. The technique and treatment of the "St. Michael Weighing Souls" in the Royal Convent of Santa Clara, Toledo, Spain ; Cap. 37. Examination and treatment of a seventeenth-century Spanish polychrome sculpture by José Caro ; Cap. 38. Approach to the conservation of a Mexican saddle and "anquera".
|
| 650 |
|
7 |
|a Conservación de los bienes culturales.
|2 unesco
|9 7410
|
| 650 |
|
7 |
|a Tecnología de materiales.
|2 unesco
|9 5264
|
| 650 |
|
7 |
|a Restauración.
|2 unesco
|9 3331
|
| 650 |
|
7 |
|a Pintura.
|2 unesco
|9 2215
|
| 650 |
|
7 |
|a Escultura.
|2 unesco
|9 6217
|
| 650 |
|
7 |
|a Arte religioso
|2 unesco
|9 24754
|
| 650 |
|
7 |
|a Arte latinoamericano.
|2 unesco
|9 11071
|
| 651 |
|
4 |
|a España.
|9 1248
|
| 651 |
|
4 |
|a América Latina.
|9 1297
|
| 700 |
1 |
|
|a Hodges, Henry,
|e ed.
|9 61727
|
| 700 |
1 |
|
|9 46586
|a Mills, John S.
|q (John Stuart)
|e ed.
|
| 700 |
1 |
|
|9 61634
|a Smith, Perry,
|d 1944-
|e ed.
|
| 710 |
2 |
|
|a International Institute for Conservation of Historic and Artistic Works
|9 64824
|
| 942 |
|
|
|2 ddc
|c LIBRO
|
