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20180919092431.0 |
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180403s1978 -ukao b 100 0 eng d |
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|6 620_120288000000000_I255_1978
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|9 72895
|a IIPC
|b IIPC
|d 2018-04-03
|e Fundación TAREA
|l 7
|m 1
|o 620.120288 I255 1978
|p A01763
|r 2024-05-15 00:00:00
|s 2024-05-15
|w 2018-04-03
|y LIBRO
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| 999 |
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|c 50438
|d 50438
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| 040 |
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|a IIPC
|b spa
|c IIPC
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|a eng
|a fre
|b fre
|b eng
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| 082 |
0 |
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|a 620.120288
|b I255 1978
|2 20
|
| 111 |
2 |
|
|a IIC International Congress
|n (7th :
|d 1978 :
|c Oxford, UK)
|9 61650
|
| 245 |
1 |
0 |
|a Conservation of wood in painting and the decorative arts /
|c editors N. S. Brommelle, Anne Moncrieff and Perry Smith.
|
| 260 |
|
|
|a London :
|b International Institute for Conservation of Historic and Artistic Work,
|c c1978.
|
| 300 |
|
|
|a xxv, 198 p. :
|b fot., il. ;
|c 29 cm.
|
| 500 |
|
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|a "Preprints of the contributions to the Oxford Congress 17-23 September 1978".
|
| 504 |
|
|
|a Incluye referencias bibliográficas.
|
| 505 |
2 |
|
|a Pte. 1.Wood technology. Cap. 1.The dimensional response of wood to variation in relative humidity ; cap. 2.Fracture of wood and factors which influence it ; cap. 3.Wood-polymer composites: new materials with unique physical properties -- pte. 2.Biological attack. Cap. 1.Insect pests of wooden cultural properties and their control in Japan ; cap. 2.Insect damage to wood in the decorative arts: a world problem ; cap. 3.Insecticidal smokes for the conservation of structural timbers -- pte. 3.Furniture. Cap. 1.Restoring an Italian commode ; cap. 2.On the straightening of a warped mahogany-veneered panel ; cap. 3.Use of B72 in the restoration of a marquetry surface ; cap. 4.The restoration of Boulle marquetry at the Bavarian National Museum ; cap. 5.The use of beeswax and resin in the restoration of east Asian lacquer work ; cap. 6.Basic aspects of musical instrument conservation ; cap. 7.Acoustic tests of repairs to musical instrument soundboards ; cap. 8.Notched and waved ledges: a Baroque joinery technique -- pte. 4.Wood in architecture. Cap. 1.Conservation work on fifteenth century wood intarsia in the old sacristy of Florence Cathedral ; cap. 2.Report on the restoration and reconstruction of the Haldenstein Room ; cap. 3.Consolidation of fragile wood with low viscosity aliphatic epoxy resins ; cap. 4.Restoration and preservation of decayed timber structures and constructions with epoxies ; cap. 5.Building paints from craft to technology -- pte. 5.Wood sculpture. Cap. 1.Disinfestation and consolidation of polychromed wood at the Institut Royal du Patrimoine Artistique, Brussels ; cap. 2.The working methods of the studio of Bernt Notke illustrated by the crucifix in Lübeck Cathedral, 1477 ; cap. 3.Altar retables of the late Gothic period in Austria: wood construction and conservation problems ; cap. 4.Restoration and assembly of the central shrine of a late fifteenth century German altar from Cologne ; cap. 5.The survey and treatment of some polychromed wooden sculptures damaged by earthquakes in the Friuli region of Italy ; cap. 6.The conservation of a large exterior wood sculpture: "Sally Grant" restored ; cap. 7.The decay and restoration of totem poles in situ at island sites on the north Pacific coast -- pte. 6.Panel paintings. Technical studies. Cap. 1.Induced strain in panel paintings undergoing conformational changes ; cap. 2.Factors affecting the dimensional responses of wood ; cap. 3.Calculations on the response of wood to moisture ; cap. 4.Holographic interferometry of painted surfaces ; cap. 5.The thermographic detection of voids in panel paintings -- pte. 7.Panel paintings. Treatment. Cap. 1.The application of balsa blocks as a stabilizing auxiliary for panel paintings ; cap. 2.A flexible balsa back for the stabilization of a Botticelli panel painting ; cap. 3.Reinforcing a thin panel painting ; cap. 4.The treatment of panels at the Institut Royal du Patrimoine Artistique, Brussels ; cap. 5.Some methods of repair and conservation of easel paintings on wooden supports ; cap. 6.The flattening and stabilization of soft wood panel paintings by means of a method which respects their original technical structure ; cap. 7.Observations on the straightening and cradling of warped panel paintings ; cap. 8.A panel transfer problem ; cap. 9.The transfer of a sixteenth century panel painting: use of a lightweight paper honeycomb material as a support ; cap. 10.The surface and structural treatment of a Fayum portrait.
|
| 650 |
|
7 |
|a Trabajo en madera.
|2 unesco
|9 36826
|
| 650 |
|
7 |
|a Madera.
|2 unesco
|9 13421
|
| 650 |
|
7 |
|a Pintura.
|2 unesco
|9 2215
|
| 650 |
|
7 |
|a Escultura.
|2 unesco
|9 6217
|
| 650 |
|
7 |
|a Tecnología de materiales.
|2 unesco
|9 5264
|
| 650 |
|
7 |
|a Conservación de los bienes culturales.
|2 unesco
|9 7410
|
| 650 |
|
7 |
|a Técnica de conservación.
|2 unesco
|9 7431
|
| 650 |
|
7 |
|a Restauración.
|2 unesco
|9 3331
|
| 650 |
|
7 |
|a Arte religioso
|2 unesco
|9 24754
|
| 700 |
1 |
|
|a Brommelle, N. S.
|q (Norman S.)
|9 61632
|e ed.
|
| 700 |
1 |
|
|a Moncrieff, Anne
|9 61633
|e ed.
|
| 700 |
1 |
|
|a Smith, Perry,
|d 1944-
|9 61634
|e ed.
|
| 710 |
2 |
|
|a International Institute for Conservation of Historic and Artistic Works
|9 64824
|
| 942 |
|
|
|2 ddc
|c LIBRO
|
