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|a Authenticity and replication :
|b the "real thing" in art and conservation : proceedings of the International Conference held at the University of Glasgow, 6-7 December 2012 /
|c edited by Rebecca Gordon, Erma Hermens and Frances Lennard.
|
| 260 |
|
|
|a London,
|b Archetype Publications,
|c 2014.
|
| 300 |
|
|
|a ix, 214 p. :
|b il. ;
|c 25 cm.
|
| 500 |
|
|
|a "Papers presented at 'The real thing'? The value of authenticity and replication for investigation and conservation, international conference held at the University of Glasgow, 6-7 December 2012." --p. vii
|
| 504 |
|
|
|a Incluye referencias bibliográficas.
|
| 505 |
2 |
|
|a Cap. 1.Challenging authenticities and the 'real thing': Conservation of Japanese paintings on paper and silk: tradition and innovation / Keisuke Sugiyama ; Baskinta's Mother(s) of God: one strainer with two paintings found in the Convent of Saint Sassine in Lebanon / Kerstin Khalife, Aline El-Maalouf and Christoph Krekel ; Differing interpretations of the authenticity of an Ushak carpet from The Metropolitan Museum of Art / Giulia Chiostrini ; Twenty-first century approaches to reframing Italian Renaissance panels al the National Gallery / harriet O'Neill ; The Triumph of the Virgin: unravelling authenticities in a Glasgow Museums'tapestry / Sarah Foskett ; Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia / Luba Dovgan Nurse, Dinah Eastop and Mary M. Brooks ; 'And I know dammed-well what he wanted!': deliberate alteration and interpretations of intent in several late sculptures by David Smith / Richard Mulholland ; Identifying and pursuing authenticity in contemporary art / Rebecca Gordon -- cap. 2.Artist in conversation: 'Real Life' questions of authenticity / Ross Sinclair in conversation with Rebecca Gordon -- cap. 3.Replication and its relationship with the 'real thing': Definition of authenticity: a study of the relationship between the reproduction and original Gone With The Wind costumes at the Harry Ransom Center / Jill Morena ; Bringing the past to life? Exploring the role of authenticity in developing young people's historical understanding / Ceri Jones ; Calling authenticity into question: investigating the the production of versions and copies in Tudor portraiture / Sophie Plender and Polly Saltmarsh ; Rediscovering the Unicorn tapestries / Caron Penney ; Stitching the 21 st century into a Glided Age mansion / Alexandra Allardt ; Experiencing the authentic: the reconstruction of the Tingelstad frontal, a Norwegian altar frontal from the 13th century / Katerine Scharffenberg and Anne Milnes ; Dressing un for the Preston Guild: a 'very admirable and correct costume!' / Uthra Rajgopal ; How to keep what was intended to be temporarily functional? Reflections on decision-making for the conservation of polyurethane ready-to-wear fashion / Susana Franca de Sá, Joana Lia Ferreira, Ana Maria Ramos, Bárbara Coutinho and Rita Macedo ; Cultural heritage online: questions of authenticity, authority and authorship / Anna Bulow and Dinah Eastop.
|
| 650 |
|
7 |
|a Artes.
|2 unesco
|9 1037
|
| 650 |
|
7 |
|a Conservación de obras de arte.
|2 unesco
|9 5616
|
| 650 |
|
7 |
|9 3331
|a Restauración.
|2 unesco
|
| 650 |
|
7 |
|a Filosofía cultural.
|2 unesco
|9 1773
|
| 650 |
|
7 |
|a Artes textiles.
|2 unesco
|9 2041
|
| 650 |
|
7 |
|a Imitación de obras artísticas.
|2 unesco
|9 6105
|
| 700 |
1 |
|
|a Gordon, Rebecca,
|e ed.
|9 42908
|
| 700 |
1 |
|
|a Lennard, Frances,
|e ed.
|9 42909
|
| 700 |
1 |
|
|a Hermens, Erma,
|d 1958-
|e ed.
|9 80175
|
| 942 |
|
|
|2 ddc
|c LIBRO
|
