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20200928204319.0 |
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111026s2012 enka b 001 0 eng |
| 020 |
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|a 9780750681995 (hardback : alk. paper)
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| 020 |
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|a 0750681993 (hardback : alk. paper)
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|a 9780080941691 (ebook)
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|a 0080941699 (ebook)
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|a DLC
|b eng
|c DLC
|d BTCTA
|d YDXCP
|d UKMGB
|d OCLCO
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| 041 |
0 |
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|a eng
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| 082 |
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|a 751.62
|b C7556 2012
|2 22
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| 245 |
0 |
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|a The conservation of easel paintings /
|c edited by Joyce Hill Stoner and Rebecca Rushfield.
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| 250 |
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|a 1st ed.
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| 260 |
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|a Abingdon, Oxon [England] ;
|a New York, N.Y. :
|b Routledge,
|c 2012.
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| 300 |
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|a xxxvi, 889 p. :
|b il. col. ;
|c 26 cm.
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| 490 |
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|a Routledge series in conservation and museology
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|a Incluye referencias bibliográficas
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|a pt. I TECHNICAL ART HISTORY, EXAMINATION, DOCUMENTATION, AND SCIENTIFIC ANALYSIS -- ch. 1 Art Technological Source Research: Documentary Sources on European Painting to the Twentieth Century, With Appendices I -- VII / Leslie Carlyle -- ch. 2 Exploring The Grammar of Oil Paint Through The Use Of Historically Accurate Reconstructions / Leslie Carlyle -- ch. 3 Collecting and Archiving Information From Living Artists For the Conservation of Contemporary Art / Ysbrand Hummelen -- A History of Western Easel Painting Materials From the Early Renaissance Through the Twentieth Century -- ch. 4 History and Use of Panels or Other Rigid Supports for Easel Paintings / Noelle Streeton -- ch. 5 History of Fabric Supports / Alexander W. Katlan -- ch. 6 Stretchers, Tensioning, and Attachments / Barbara A. Buckley -- ch. 7 Grounds, 1400-1900 / Maartje Stols-Witlox -- Including: Twentieth-Century Grounds / Mark Gottsegen -- ch. 8 Pigments in Western Easel Painting / Sarah Lowengard -- Including: Binding Media / Joyce Townsend -- ch. 9 Ageing and Deterioration of Traditional Oil and Tempera Paints / Aviva Burnstock -- ch. 10 Modern Paints / Tom Learner -- ch. 11 A Brief Survey of Historical Varnishes / Joyce Townsend -- ch. 12 Varnishing of Acrylic Paintings by Artists / Mark Golden -- Techniques of Examination and Documentation Used by the Conservator and Conservation Scientist -- ch. 13 Written Documentation for Paintings Conservation / Clare Finn -- ch. 14 Image Documentation for Paintings Conservation / David Saunders -- ch. 15 Notes on the History of Conservation Documentation: Examples from the UK and USA / Morwenna Blewett -- ch. 16 The Classification of Craquelure Patterns / Spike Bucklow -- ch. 17 The Technical Examination and Documentation of Easel Paintings / Rhona MacBeth -- ch. 18 Optical Microscopy / Valentine Walsh -- ch. 19 Identification of Textile Fibres Found In Common Painting Supports / Debora D. Mayer -- ch. 20 Cross-Section Microscopy Analysis and Fluorescent Staining / Peggy Olley -- ch. 21 A History of Early Scientific Examination and Analysis of Painting Materials CA. 1780 to the Mid-Twentieth Century / Jilleen Nadolny -- ch. 22 Research and Instrumental Analysis in the Materials of Easel Paintings / Jaap Boon -- pt. II METHODS AND APPROACHES FOR THE TREATMENT AND CARE OF EASEL PAINTINGS STRUCTURAL CONSERVATION OF EASEL PAINTINGS -- ch. 23 Consolidation of Flaking Paint and Ground / Irina Dolgikh -- ch. 24 Tear Mending and Other Structural Treatments of Canvas Paintings, Before or Instead of Lining / Rustin Levenson -- ch. 25 Lining Easel Paintings / Mikkel Scharff -- ch. 26 The Structural Conservation of Paintings on Wooden Panel Supports / Paul Ackroyd -- The Cleaning of Easel Paintings -- ch. 27 Picture Cleaning: Positivism and Metaphysics / David Bomford -- ch. 28 Research on the Pettenkofer Method and the Historical Understanding of Paint Film Swelling and Interaction / Sibylle Schmitt -- ch. 29 Considerations on Removing or Retaining Overpainted Additions and Alterations / Joyce Hill Stoner -- ch. 30 Aqueous Methods for the Cleaning of Paintings / Christopher Stavroudis -- ch. 31 Removal of Varnish: Organic Solvents as Cleaning Agents / Richard Wolbers -- ch. 32 Case Study in the Use of Lasers to Remove Overpaint From Ad Reinhardt's Black Painting, 1960-66 / Carol Stringari -- ch. 33 Cleaning Concerns for Acrylic Emulsion Paints / Bronwyn Ormsby -- Compensation: Filling, Retouching/Inpainting, Varnishing (Or Not) -- ch. 34 History of Visual Compensation for Paintings / Jilleen Nadolny -- ch. 35 Filling / Laura Fuster-Lopez -- ch. 36 The Imitative Retouching of Easel Paintings / Stephen Gritt -- ch. 37 Varnishing as Part of the Conservation Treatment of Easel Paintings / Michael Swicklik -- pt. III PREVENTIVE CONSERVATION, HEALTH AND SAFETY, OUTREACH, AND PROFESSIONAL ORGANIZATIONS -- Introduction / Joyce Hill Stoner -- ch. 38 Travelling Exhibitions and Transporting Paintings / Barbara A. Ramsay -- ch. 39 Storage of Easel Paintings / Tom Dixon -- ch. 40 The Lighting of Easel Paintings / Stefan Michalski -- ch. 41 Understanding the Deterioration of Paintings by Microorganisms and Insects / Jens Klocke -- ch. 42 Sustainable Conservation Management of Exhibitions / Jeremy Hutchings -- ch. 43 Emergency Preparedness and Recovery / Rustin Levenson -- ch. 44 Framing, Glazing, Backing, and Hanging of Paintings on Canvas / Tom Dixon -- ch. 45 Framing and Microclimate Enclosures for Panel Paintings / Ian McClure -- ch. 46 Health and Safety Concerns in the Paintings Conservation Studio / Joyce Townsend -- ch. 47 International Public Outreach Projects / Joyce Hill Stoner -- ch. 48 Recommending Materials to Artists / Mark Gottsegen -- ch. 49 Conservation Organizations and Professional Standards / Rebecca Rushfield.
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| 650 |
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7 |
|a Pintura.
|2 unesco
|9 2215
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| 650 |
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7 |
|a Conservación de obras de arte.
|2 unesco
|9 5616
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| 650 |
|
7 |
|9 3331
|a Restauración.
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| 700 |
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|a Stoner, Joyce Hill
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| 700 |
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|a Rushfield, Rebecca Anne
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