Art of the past : sources and reconstruction : proceedings of the first symposium of the Art Technological Source Research study group /
| Autores Corporativos: | , |
|---|---|
| Otros Autores: | , , |
| Formato: | Acta de Conferencia Libro |
| Idioma: | Inglés |
| Publicado: |
[London] :
Archetype Publications with the participation of ICN Amsterdam,
2005.
|
| Materias: |
Tabla de Contenidos:
- Style and technique are inseparable: art technological sources and reconstructions / Ad Stijnman
- The Cologne database for painting materials and reconstructions / Doris Oltrogge
- Interpreting historical sources on painting materials and techniques: the myth of 'copper resinate' and the reconstruction of indigo oil paints / Margriet H. van Eikema Hommes
- Is gold an ingredient in Assyrian-Mesopotamian written recipes for red glass? / Mark Clarke
- Reflections on sources and reconstructions / Lorne Campbell
- Reading technical sources / Arie Wallert
- Munich Taxae project: the Kolberg inventory list of 1589 / Andreas Burmester, Ursula Haller and Christoph Krekel
- Page-image recipe databases: a new approach to making art technological manuscripts and rare printed sources accessible / Mark Clarke and Leslie Carlyle
- Historically accurate reconstructions of artists' oil painting materials / Leslie and Maartje Witlox
- Cobalt blue, emerald green and rose madder in copal-based mediums as used by the Pre-Raphaelites / Joyce H. Townsend, Jacqueline Ridge and Leslie Carlyle
- The reconstruction of late 19th-century French red lake pigments / Jo Kirby
- The Whistler correspondence as a source of information on Whistler's studio practice / Erma Hermens and Margaret F. MacDonald
- Representing authentic surfaces for oil paintings: experiments with 18th- and 19th-century varnish recipes / Leslie Carlyle
- Sixteenth-century portrait miniatures: key methodologies for a holistic approach / Alan Derbyshire, Nick Frayling and Timea Tallian
- Reconstruction of Albrecht Dürer's drawing machine / Aurélie Nicolaus and William Whitney
- A mediaeval colorant in the 17th century: turnsole /Arie Wallert
- Sources and preparatory drawing in post-Byzantine iconography (15th-19th century): reproducing the reverse imprint technique of transferring preparatory drawing /Ekaterina Talarou-Ganitis and Vaios Ganitis
- Rembrandt and burnt plate oil: new observations and proposals on Rembrandt's painting medium / Sarah Belchetz-Swenson and Phoebe Dent Weil
- Intrigues and trade in painting materials in 18th-century Havana / Carlos Venegas Fornias and Alberto de Tagle
- Imitating ultramarine: artists' economies reconstructed /Sally Woodcock and Libby Sheldon
- Blue smalt lacquers on silver leaf: Baroque and Rococo polychromy in southern Germany / Mark Richter
- Three-dimensional virtual restoration: techniques and case study / Angela Geary
- Reconstructions of iron-gall ink recipes for the InkCor project / Ad Stijnman
- Compatibility of contemporary pigments in mixtures / Elzbieta Szmit-Naud
- Painted skin: reconstruction of recipes for flesh colours in artists' manuals / Kathrin Kinseher
- When glass is made of plastic: restoration of the model of the Pavillon Saint-Gobain for the International Exhibition of 1937 / Olivier Béringuer.